Mp3 Japanese Songs

Đây là list của đĩa MP3 (bán tại ITC Lý Nam Đế HN). MS nghe thấy hay chả kém gì những bài Stinger giới thiệu đâu. Tuy không có giọng hát nào nổi bật nhưng phần hoà âm phối khí của các ban nhạc Nhật quả là tuyệt vời. Nghe Rock Nhật cũng không đến nỗi nào đâu. Nhất là ballad của X Japan, MS rất thích.
MS đã thử search để tìm lyrics nhưng cứ vào trang tiếng Nhật là chóng cả mặt, chả hiểu gì cả, chỉ tìm được 1 số thông tin bằng tiếng Anh thôi. Nhờ mọi người tìm lyrics hộ nhé. MS cũng sẽ dần dần upload những bài hay lên.

1. Best of dream come true -01- Approach.MP3
2. Best of dream come true -02- .... Japanese.MP3
3. Best of dream come true -03- .... Japanese.MP3
4. Best of dream come true -04- .... Japanese.MP3
5. Best of dream come true -05- Lat.43 degrees north latitude.MP3
6. Best of dream come true -06- .... Japanese.MP3
7. Best of dream come true -07- Ring! Ring! Ring!.MP3
8. Best of dream come true -08- .... Japanese.MP3
9. Best of dream come true -09- .... Japanese.MP3
10. Best of dream come true -10- Eyes to me.MP3
11. Best of dream come true -11- .... Japanese.MP3
12. Best of dream come true -12- Go for it !.MP3
13. Best of dream come true -13- .... Japanese.MP3
14. Best of dream come true -14- .... Japanese.MP3
15. Best of dream come true -15- Romance.MP3
16. Best of dream come true -16- Love Love Love.MP3
17. Favorite blue -01- Overture (Let my hart beat reach in 2 u).MP3
18. Favorite blue -02- Shake me up!.MP3
19. Favorite blue -03- Snowball Fallin' on my head.MP3
20. Favorite blue -04- Squall.MP3
21. Favorite blue -05- Lovin' you.MP3
22. Favorite blue -06- .... Japanese.MP3
23. Favorite blue -07- Brand new season.MP3
24. Favorite blue -08- .... Japanese.MP3
25. Favorite blue -09- Dream & Memories.MP3
26. Favorite blue -10- Remember day.MP3
27. Favorite blue -11- Love bight.MP3
28. Favorite blue -12- Epilogu.MP3
29. Globe love again -01- Before dark.MP3
30. Globe love again -02- Under your sky.MP3
31. Globe love again -03- Love again.MP3
32. Globe love again -04- You are the one.MP3
33. Globe love again -05- Nothing ever makes me happy.MP3
34. Globe love again -06- I'm bad.MP3
35. Globe love again -07- I'm still alone.MP3
36. Globe love again -08- Open wide.MP3
37. Globe love again -09- wanderin' destiny.MP3
38. Globe love again -10- Creatures.MP3
39. Globe love again -11- End of 3rd element.MP3
40. Hitomi -01- Mistake.MP3
41. Hitomi -02- Busy now.MP3
42. Hitomi -03- Slow song.MP3
43. Hitomi -04- Poker face.MP3
44. Hitomi -05- Free soul !!.MP3
45. Hitomi -06- Hard days night (One more beauty).MP3
46. Hitomi -07- Problem.MP3
47. Hitomi -08- Digital worker (Who's he).MP3
48. Hitomi -09- Pretty eyes.MP3
49. Hitomi -10- Deja vu.MP3
50. L'arc en ciel - heart -01- Loreley.MP3
51. L'arc en ciel - heart -02- Winter fall.MP3
52. L'arc en ciel - heart -03- Singin' in the rain.MP3
53. L'arc en ciel - heart -04- Shout at the devil.MP3
54. L'arc en ciel -05- I (Album version).MP3
55. L'arc en ciel -06- Birth!.MP3
56. L'arc en ciel -07- Promised land.MP3
57. L'arc en ciel -08- Milky way.MP3
58. L'arc en ciel -09- .... Japanese.MP3
59. Le couple -01- .... Japanese.MP3
60. Le couple -02- .... Japanese.MP3
61. Le couple -03- After the rain.MP3
62. Le couple -04- .... Japanese.MP3
63. Le couple -05- .... Japanese.MP3
64. Le couple -06- .... Japanese.MP3
65. Le couple -07- .... Japanese.MP3
66. Le couple -08- .... Japanese.MP3
67. Le couple -09- Tokyo love story.MP3
68. Luna sea shine -01- Time has come.MP3
69. Luna sea shine -02- Storm.MP3
70. Luna sea shine -03- No pain.MP3
71. Luna sea shine -04- Shine.MP3
72. Luna sea shine -05- I for you.MP3
73. Luna sea shine -06- Millennium.MP3
74. Luna sea shine -07- Broken.MP3
75. Luna sea shine -08- Velvet.MP3
76. Luna sea shine -09- Love me.MP3
77. Luna sea shine -10- Breathe.MP3
78. Luna sea shine -11- Up to you.MP3
79. Namie amuro - 181920 -01- Body feels exit.MP3
80. Namie amuro - 181920 -02- Try me.MP3
81. Namie amuro - 181920 -03- Chase the chance.MP3
82. Namie amuro - 181920 -04- .... Japanese.MP3
83. Namie amuro - 181920 -05- You're my sunshine.MP3
84. Namie amuro - 181920 -06- How to be a girl.MP3
85. Namie amuro - 181920 -07- Sweet 19 blues.MP3
86. Namie amuro - 181920 -08- Dreaming I was dreaming.MP3
87. Namie amuro - 181920 -09- Stop the music.MP3
88. Namie amuro - 181920 -10- Don't wonna cry.MP3
89. Namie amuro - 181920 -11- Can you celebrate.MP3
90. Speed moment -01- White love.MP3
91. Speed moment -02- All my true love.MP3
92. Speed moment -03- Steady.MP3
93. Speed moment -04- Wake me up!(Growin'up! mix).MP3
94. Speed moment -05- Alive.MP3
95. Speed moment -06- Body & Soul.MP3
96. Speed moment -07- Go! Go! Heaven.MP3
97. Speed moment -08- .... Japanese.MP3
98. Speed moment -09- luv vibration.MP3
99. Speed moment -10- My graduation.MP3
100. Speed moment -11- White love (Christmas standard).MP3
101. Tokio Graffiti -01- .... Japanese.MP3
102. Tokio Graffiti -02- .... Japanese.MP3
103. Tokio Graffiti -03- .... Japanese.MP3
104. Tokio Graffiti -04- .... Japanese.MP3
105. Tokio Graffiti -05- Bad named song.MP3
106. Tokio Graffiti -06- .... Japanese.MP3
107. Tokio Graffiti -07- Lesson.MP3
108. Tokio Graffiti -08- .... Japanese.MP3
109. Tokio Graffiti -09- .... Japanese.MP3
110. Tokio Graffiti -10- Julia (album version).MP3
111. TRF unite -01- Realize.MP3
112. TRF unite -02- Frisky A go go (Sunset boulevard mix).MP3
113. TRF unite -03- Frame.MP3
114. TRF unite -04- Darkscape.MP3
115. TRF unite -05- Earl grey.MP3
116. TRF unite -06- Try or cry.MP3
117. TRF unite -07- Mellin' you.MP3
118. TRF unite -08- Future Shock.MP3
119. TRF unite -09- Friends.MP3
120. TRF unite -10- It's my time.MP3
121. TRF unite -11- Get up! Stand up! Unity!.MP3
122. TRF unite -12- Unite! The night!.MP3
123. Utada hikaru - First love -01- Automotic (Album e***).MP3
124. Utada hikaru - First love -02- Movin' on without you.MP3
125. Utada hikaru - First love -03- In my room.MP3
126. Utada hikaru - First love -04- First love.MP3
127. Utada hikaru - First love -05- Paint it black.MP3
128. Utada hikaru - First love -06- Never let go.MP3
129. Utada hikaru - First love -07- B&C (album version).MP3
130. Utada hikaru - First love -08- Interlude.MP3
131. Utada hikaru - First love -09- Give me a reason.MP3
132. Utada hikaru - First love -10- Automatic (remix).MP3
133. X japan - Ballad collection -01- Forever love.MP3
134. X japan - Ballad collection -02- Longing.MP3
135. X japan - Ballad collection -03- Endless rain.MP3
136. X japan - Ballad collection -04- Crucify my love.MP3
137. X japan - Ballad collection -05- Alive.MP3
138. X japan - Ballad collection -06- Say anything.MP3
139. X japan - Ballad collection -07- Unfinished.MP3
140. X japan - Ballad collection -08- Tears.MP3
141. X japan - Ballad collection -09- Forever love (Last mix).MP3
142. X japan - Ballad collection -10- The last song.MP3


N.T.M.

Namie Amuro



English name: Namie Amuro
Date of birth: September 20, 1977
Height: 5' 2 " / 158cm
Weight: 88lbs / 40 kg.
Blood Type: O
Measurements: 30":23":33.5" / 75cm:59cm:85cm
Birth Place: Okinawa, Japan
Ethnicity: 75% Japanese, 25% Italian
Her website : http://amuronamie.cjb.net/
Her video clip : http://utenti.tripod.it/taiyo/etc/love2000cm.ra
Her wallpaper : http://www.artist-jam.net/img.cgi/amuro/namie02.jpg
Her winamp skins : http://www.jpopmusic.com/amuronamie/skins.html
http://us.yesasia.com/en/artIdxDept.aspx?aid=168&section=music&code=j&p=2&

Looking back at Japanese Pop Music (J-POP) in the 1990's, it is impossible to overlook the influence of Namie Amuro. J-POP is the popular hit music that plays on Japan's top 40 radio stations and dominates the top ten of the Japanese charts. Similar to trends in America and England, pop music in Japan dominates the commercial music channels, yet fails to hold the interest of more serious or underground music listeners. Serious music lovers often find, the showmanship and hype of the pop music artists is not backed up by musical depth or artistic sincerity. Namie Amuro, in the first seven years of her career, demonstrated exceptional talent as a singer, dancer, and stage performer. In the year 2000, this young singer is now only 23 years old, and still has a long career waiting for her to further develop the face of Japanese popular music.

Namie Amuro is not only an accomplished singer, she has mastered the art of stage performance. Her years of training in dance is evident in her live performances and videos. Most important, she captures the hearts of her audience by the graceful animation of her stage personality. On stage, Namie understands how to use the unique qualities of the acoustical sound of each performance hall to maximize the presentation of her vocal arrangements. Through the choreographic routines of her dance, she creates a complete artistic presentation of her musical material. Her successful musical recording career has been accented by her continued public presence and touring. By virtue of her talents, Namie Amuro has been the most notable Japanese singer to emerge from J-POP music culture.
On stage and in her public interviews, she displays an almost awkward, shy, and somewhat self conscious personality. While watching her sing, the audience can see her searching for the right tonal qualities, as she strives to get the feel of the audience and the acoustics of the room. Yet this is backed up by the presence of a thoughtful artist that understands the need to strive for perfection in each performance. While the audience is taken in by her shy personality, she overwhelms them with her mastery of the art of her singing and the execution of her dance routines. It's a winning formula that seems natural to Amuro. Namie Amuro has won the hearts of many of the fans that have come to know her music.
Namie Amuro was born on September 20, 1977, on the island of Okinawa, in Naha City, Japan. While in the sixth grade, Amuro visited an actor's training school, "Okinawa Actors' School". Namie had taken an interest in the showbiz industry after watching a young star, Hayasaka Yoshie, perform. Hayasaka Yoshie was the first popular female talent to emerge from the Okinawa Actors' School. Although Amuro was with other members of her school, it was Namie that stood out from the other classmates, and she was encouraged to begin training as a singer and dancer. From that time at the age of 12 years old, Namie began to take her training as a singer and dancer in earnest. Whenever school performances or amateur shows allowed, Namie Amuro took the stage and began to make it her home.
By the time Namie was 15 years old, she had become fast friends with four of her classmates that were also interested in singing and dance. Together with her classmates Ameku Minako (Mina), Takushi Nanako (Nana), Aragaki Hisako and Makino Anna, Namie formed a musical group they called the "Super Monkeys". The teenage girls were signed that year by the Toshiba EMI recording label and they released their first single "Mr. USA". A year later, at only 16 years old, along with the other members of the Super Monkeys, Namie moved from her home in Okinawa to the busy city of Tokyo. The Super Monkeys was a pop band that revolved around their dance routines. Due to their young age, they were not taken very seriously in those early years. Yet, the band found success in performing and recording within the fast paced musical industry culture of Tokyo.

As the "Super Monkeys" began to make a bigger name for themselves in Tokyo, it became more apparent that Namie's talent and stage presence was a marketable commo***y. Ameku Minako left the group to pursue a position as a dance instructor, and the remaining girls changed their name to "Super Monkey's 4". They then released their next single, "Dancing Junk" and shortly thereafter Aragaki Hisako left the band. To fill the vacant positions they were joined by two new members, Ritsuko Matsuda (Lina) and Reina Miyauchi (Reina). At the urging of their agents, Namie took a higher profile in the musical group and in 1994 the band was renamed, "Namie Amuro with the Super Monkeys". The band's name change was noted on the release of their fourth single titled "Paradise Train".
The stage was now set for Namie to receive greater notice, and when the Super Monkeys released their fifth single, "Try Me", at the beginning of 1995, everything began to happen. "Try Me" climbed in the J-POP charts and set new sales standards with gross sales reaching over 750,000 copies. "Try Me" sales was more than all of their previous singles combined. The Super Monkeys were receiving good reviews in the J-POP press and they began reaching a wider audience. Their coming into public interest was in part because they were finally reaching an age where more people could take them seriously. As the girls matured, they slowly moved away from their snappy pop roots and took a greater influence from the increasing popularity of modern techno music. Later in the spring of 1995, at the age of 18 years old, Namie Amuro recorded her last single with her friends, the Super Monkeys. By now the group was simply known as "Namie Amuro" for their final single release of "Taiyo no Season" and "Stop the music" by Toshiba EMI.

After Namie left the Super Monkeys, the remaining members of the group launched a successful career without Amuro under the name of "MAX". The band was named after their new producer Matsura "Max" Masato. Masato took the remaining Super Monkeys to a new recording label of "Avex Trax" and produced a new CD under the band's new name. In the meantime, Matsura "Max" Masato, produced Namie Amuro's first solo album length CD, "Dance Tracks Vol 1", with the group MAX appearing as footnotes in the liner notes. The album featured remixes of the Super Monkeys trademark hits. "Dance Tracks Vol 1" launched Namie's solo career by selling over two million copies. Dance Tracks laid a hyper techno beat under a cascade of swirling midi effects, while Namie, singing in her native Japanese, laid the vocal tracks on top of Max's mix. The CD also experimented with more soulful and Latin influences in the production of some of the album's material. This was the end of Amuro's career with the Toshiba EMI recording label.
During her career with Toshiba EMI, Namie was befriended by the accomplished Japanese producer Tetsuya Komuro (TK). Komuro influenced Amuro to begin a solo career with the same recording label that "MAX" had signed with, "Avex Trax". TK had already made a name for himself as a successful producer. He had created a family of artists under his direction that now includes other J-POP musical acts such as Kahara Tomomi, Hitomi, Suzuki Ami, Ring, DOS, as well as his own band, "Globe". Komuro brought a new level of professionalism to the 19 year old Amuro's musical presentation. Together they started working in the studio to release four separate singles. In October 1995 Namie released "Body Feels Exit" selling over 135 million copies. The success of this single was followed in December 1995, with the release of a song created for a popular television series, "The Chef", titled "Chase The Chance". Then in March 1996 she released "Don't Wanna Cry". Later in June, Namie released "Your Are My Sunshine". Each of these four singles sold over one million copies. In this way, the experienced producer set the ground work for a smashing success of the first Namie Amuro album that would be released without the influence of the Super Monkeys. TK had carefully created some distance from previous associations with Amuro's early career, while building interest in her ever expanding newer fan base.
N.T.M.

In July 1996, Tetsuya released the first true solo Namie Amuro album, "Sweet 19 Blues". The album, which featured vocal arrangements of club dance music and slower rock ballads, climbed straight to the top of the Japanese J-POP charts. Namie was coming of age and with the help of TK's production techniques , Sweet 19 Blues, had a more mature and refined sound. The dance album moved freely through diverse musical styles that included hints of R&B, Techno Dance Music, love songs, and a touch of Hip-Hop. Album sales exceeded 3.7 million copies. Namie, at only 19 years of age, was a seasoned performer and recording artist. She had already paid her dues, and was creating her own public personage as a pop artist. Her own talent and charm was reinforced by her association with Komuro. The critics were kind to her in their reviews, and Namie took center stage in the Japanese Pop Culture. Further promotion for the album was fueled by Vogue style fashion photos being released to the press. In ad***ion, TK had ensured that a state of the art Web Site was released under the domain of www.amuro.com. The production and promotion of "Sweet 19 Blues" was almost perfectly executed. At the end of 1996, Namie Amuro became youngest artist to win the Japan Records Committee's Best Artist Prize Award with sales totals for CDs climbing over a total of 10 million copies in a single year.
The Amuro fashion had caught on with teenage Japanese girls. Like in Madonna's early career, Namie's fans imitated her fashion and hair style. Her trademark look started as shoulder length bleached brown hair, mini skirts or hot pants, and tall, black, go go boots. Girls in Tokyo's Shibuya, could be seen sporting their Amuro "wanna be" fashion. Namie didn't cling to her initial fashion statements, and began to redefine her public image. To the dismay of her "wanna be" fans, Namie cut her hair short and opted for more causal and fashionable clothing styles in her photo shoots.

The Amuro/Komuro team didn't let their success of the Sweet 19 Blues album grow cold, and immediately began releasing a string of remixed singles from the album. Press releases and fashion photos continued to provide fodder for the Japanese media machine. Together they released her single "Can You Celebrate?", in February 1997, gross sales of the single reached over 1.5 million in only five days. As interest in the young star continued to grow, she launched a successful concert tour in the spring of 1997. Her own tour was followed by her performance with the "TK Pan-Pacific Tour 97". This tour featured shared billing with the rest of the TK family of recording artists, and together they toured several Asian countries. During this tour, it became apparent that Namie's fame had reached outside her native country of Japan, and beyond the influence of Komuro's production. The tour headlined by Tetsuya Komuro's own band, "Globe" received international attention when gross ticket sales for a single concert in Taipei, Taiwan hit a total of $2,770,072 US dollars. This was even greater sales than larger name acts, such as Ireland's U2 sold. U2 total ticket sales at the same venue was almost $1 million less than the TK Show. The summer of 1997 demonstrated that the 20 year old Namie Amuro was truly an internationally acclaimed pop star.
In between breaks from her grueling touring schedule and other public performances, Namie had managed to record her second album with TK, "Concentration 20". This new album was released in July 1997. The album featured a much denser mix than some of her earlier projects. It followed the same basic R&B, Techno Dance Music, love songs, and Hip-Hop of Sweet 19 Blues; but it also featured rock guitar work mixed in the driving beat of the dance grooves. The album achieved some success, but the follow through promotion of the project was cut short soon after the album's release.
In October 1997, Amuro was married to Masaharu Maruyama (nown as Sam), from the Japanese musical group TRF. Namie announced her marriage on a special television broadcast on the Japanese TV networks. Following the news of her marriage to Sam, it was soon learned that Namie was pregnant and the happy couple would be proud parents in the spring of 1998. With the announcements of her personal situation, came further news that Amuro would take a one year break from her musical career. On May 19th of 1998, Namie gave birth to a healthy baby boy, and they named him Haruto. The Japanese meaning of the name Haruto is derived from two kanji characters meaning "Warm " and "Big". The entire episode of the marriage and then the birth of their child captivated the Japanese media. Although Namie took a break beginning in January of 1998, her career continued to move forward.
N.T.M.

Before taking her leave, Namie took part in the "TK Presents GROOVE MUSEUM" concerts in China, during November 1997. A special CD Remix version of the song "Can you Celebrate?" was released on Christmas Day 1997, in honor of the couple's wedding and the expectation of their baby. For the second year in a row, Namie won the Japan Records Committee's Best Artist Prize Award for highest sales totals of any artist in 1997. In ad***ion "Can You Celebrate?" won the 39th Annual Japan Record Awards Grand Prize. After performing in the 48th Kouhaku singing contest, Amuro began her one year leave of absence starting on January 1, 1998. Following the announcement of her one year leave, Namie released a new album titled "181920". This was a best hits album of her twelve most successful singles from the time when she was 18, 19, and 20 years old. Meanwhile a series of concert and MTV videos were prepared and released for television airplay and consumer purchase in 1998.
As promised Namie Amuro returned to her music career on December 31, 1998, she once again appeared on the popular Japanese variety show, 49th Kouhaku singing contest, with a very moving ren***ion of "Can you Celebrate?" The performer was almost unable to finish the final lines of the song, as she fell into an emotional outburst of tears. With her voice wavering in the final moments, Namie finished her performance behind a heart warming veil of tears. Slowly, Namie is began to return to her career in Japan's music industry. In 1999, she appeared on ad***ional television performances and released new musical CDs. In December 1998 Namie released a new single "I Have Never Seen", followed by the release of the single "Respect the Power of Love" in March 1999.
The release single "Respect the Power of Love" was met with a serious dark cloud in Namie Amuro's life. Her mother was murdered by her husband's brother at 10:45 am on March 17, 1999 in Okinawa, Japan. This was on the same day as the release of the new single. The attacker, Kenji Taira, then committed suicide by drinking poison.
Namie's mother, Emiko Taira, had been a constant source of strength and encouragement to her over the years. The loss of her mother almost lead to the end of Amuro's musical career. Each song she would sing, reminds her of the loss she has suffered. While mourning in solitude, letters from concerned fans poured in with heart felt sympathy and encouragement. While she read the letters, tears streaming down her face, Namie found the courage and determination to continue onward. She decided to put aside her own loss and strive to continue to bring happiness to her fans, through her music. Namie reached out to thank her fans via the Internet to post special messages on her fan bulletin boards. She could be found checking out her fan sites and even lurking quietly in their chat rooms (much to the disbelief of the webmasters).
After two years of adjusting her family life with her career, Namie stepped back into the full glare of the spotlight on January 1, 2000. The release of her "Genius 2000" set the stage for Amuro's return to performance and touring on an international level. The new CD begins with a new message in the song "Love 2000". The lyrics begin, "Are you ready for System 2000? Imagine all of us living as one; Are you ready for System 2000? In a world that's soon to come!"

At first listen "Genius 2000" does not appear to be a groundbreaking musical statement in itself. Perhaps many of the compositions, vocal arrangements, and production effects are extensions of her earlier works, under Komuro's production. "Genius 2000" is a strong J-POP CD that went straight to the top of the charts in Japan. The CD is peppered with new hints of American Soul, R&B, and Latin music as well. Further listening and exploration into the CD reveals greater western influences in the production of the music. Amuro's management recruited the help of producer "Dallas Austin"; who has worked with artists such as TLC, Madonna, BoyZ II Men, and Michael Jackson. In ad***ion the legendary "Sheila E.", who has worked as a solo artist and a collaborator with Prince, was brought onboard to help with the composition and production of several songs on the CD. Tetsuya Komuro's influence is evident with his usual set of production techniques that make up his formula for solid gold J-Pop.
The CD stands as a statement, that Namie Amuro is out there and still a player. The release of the CD was followed by public appearances, International tour dates, and more television visibility. Meetings with members of the American musical Trio "TLC", serve to fuel rumors of some possible introduction of Namie Amuro into the United States. In particular, "Leavin' for Las Vegas" has a very Western R&B feel that hints of influence by western bands such as "TLC". These inroads into a more western sound stand to point to the exciting possibility that Namie's future music, may be able to make significant changes in the course of J-POP.
The talented Namie Amuro has been the most notable Japanese singer to emerge from the J-POP music culture during the 1990's. In the coming years, the world will see how Amuro decides to build on the great success of her earlier career.
N.T.M.

English name: Hikaru Utada
Date of birth: January 19, 1983
Height: 5' 2 " / 158cm
Weight: Frequently changing =)
Blood Type: A
Birth Place: New York City
Hobbies: Painting, Eating, E-mailing
Utada Hikaru, born in New York in 1983, grew up immersed in music. Recently
she's earned much praise for her musical sense and for her talent as
singer-songwriter. Everything started with the single "time will tell,"
which registered on numerous FM charts more than a month before her official
debut "Automatic." That release also did well on the charts, and since then,
she's followed it up with more and more songs, many of them entering the
charts at the same time! Utada won the "PowerPlay" on dozens of nationwide
FM stations. It is still freshly remembered that on the week of its release,
her single set the record of ranking No.1 in frequency of airplay on FM and
AM stations in both the Kanto and Kansai regions (203 times per week a 1998
record). And it's a well-known fact that "Automatic/time will tell"
(released Dec. 9, 1998 as both 12cm and 8cm discs) amazed everybody,
achieving the extraordinary distinction of being ranked highly on various
sales charts for both 12cm disc and 8cm discs, including the Original
Confidence (Ori-Con) chart. Her following second single "Movin' on without
you" (released February 17, 1999 ), a commercial song for Nissan Terrano,
earned the top position as it appeared in the Original Confidence chart. And
her debut album, "First Love" (March 10, 1999 release), sold out at record
stores prior to its official release date. In ad***ion to instantly ranking
No.1 on the Ori-Con chart, it also set new records for "Highest Initial
Points for a Debut Album," and "Highest Initial Points for an Original
Album." In the May 10 issue of Ori-Con, it became No.1 on the All Albums
Chart. In the space of a mere five months after her debut, Utada climbed to
the top of the Japanese pop music scene. After the title track of "First
Love" (released April 28, 1999) became the main theme for TBS network's
weekly drama "Majo no Joken" (To Be a Witch), it was released as a single.
Together with the drama the song continues to give heart-throbbing
excitement to all viewers. The first live performances as "Utada Hikaru"
were held on April 1 (at Umeda Heat Beat, Osaka) and April 2 (at Zepp Tokyo,
Tokyo) with a full invitation system. Each host radio station was swarmed by
applications from fans. Each stage was one consolidated groove when
everybody and everything in the hall became as one amid the highest
excitement, as Utada voiced, "Live is great and fun...!"

N.T.M.
Được Morning Star sửa chữa / chuyển vào 11:14 ngày 18/07/2002

Crucify My Love
Crucify My Love
If my love is blind
Crucify My Love
If it sets me free
Never know Never trust
??o That love should see a colour???
Crucify My Love
If it should be that way
Swing the heartache
Feel it inside out
When the wind cries
I??Tll say goodbye
Tried to learn Tried to find
To reach out for eternity
Wherê?Ts the answer
Is this forever
Like a river flowing to the sea
You??Tll be miles away, and I will know
I know I can deal with the pain
No reason to cry
Crucify My Love
If my love is blind
Crucify My Love
If it sets me free
Never know Never trust
??o That love should see a colour???
Crucify My Love
If it should be that way
??~Till the loneliness shadows the sky
I??Tll be sailing down and I will know
I know I can clear clouds away
Oh Is it a crime to love
Swing the heartache
Feel it inside out
When the wind cries
I??Tll say goodbye
Tried to learn Tried to find
To reach out for eternity
Wherê?Ts the answer
Is this forever
If my love is blind
Crucify My Love
If it sets me free
Never know Never trust
??o That love should see a colour???
Crucify My Love
If it should be that way
Alive
I??Tm wandering the town all light off
I don??Tt know where I??Tm leaving for
The muddy rain start to fall on me
And I??Tm walking down *****bway
I can??Tt see all around me
Get me out of here
Talk to me if someone is in this darkness

I??Tm out of my head
Out of my mind
Tell me where I??Tm what??Ts going on, oh please
Something is hiding me off
Is this the wall of my heart
I have been lost so many things I??Tve got
For long time I??Tve been searching for my way
I carry on carry on???
I??Tm spiting to their ugly heart
To this so stood world
Every day I forbear to fall the tears
Don??Tt wanna be down
Every night hurt is so deep in my heart
Is this my life
Oh! Show me please
The wall close to me
It??Ts so painful. Stop it!
Is there someone to help me
Please get me out here
Oh! Get me out!
Dead or alive, no place to run
Get it settled onve and for all
Dead or alive, can??Tt live in the past
Only one way to live.
* give my heart finishing blow
If I could only turn my back
Let me do screaming high
Squeeze the throes of death from me
It comes here the blame I??Td done before
Fall on me as if it grow in my brain
The ugly side of myself tears me up
At this time I can??Tt go back
Give my heart finishing blow
If I couldn??Tt run from the past
Let me do screaming high
Disclose feeling inside of me
Dead or alive, can??Tt live in the past
Only one way to live
* repeat
The fight is over
The mad rain had gone past over me
Blood is flowing down
Tear is flowing down
Now I??Tm alive and I??Tm walking to the town again.

cả nhà có ai biết thông tin về Noriko Saikai bây h ko ?? hic.. lâu lắm rồi ko đc update thông tin về cô ca sĩ diễn viên tuyệt vời này ..
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Tưởng Batistava học tiếng Ý cơ mà, bây giờ học cả tiếng Nhật nữa cơ à? Siêu thật đấy.
N.T.M.

List này của bạn còn thiếu rất nhiều bài của X-Japan như
- Voiceless screaming
- Love replica (Tiếng Pháp)
- The last song (Memorial track): trong liveshow cuối cùng của X-Japan
- Esdur (instrusmental)
- White wind from Mr. Martin
- Endless rain (Live): cực hay.
Lyric của X MS có thể vào trang www.absolutelyric.com
***********************
X Japan gồm bốn thành viên:
1. Pata - tên thật là Tomoaki Ishizuka - bass
Sinh ngày 11/04/1965
Nơi sinh: Chiba
Pata là tay chơi ghi ta thứ hai trong X. Trông Pata như luôn luôn đang mơ màng và uể oải. Pata thích được nhìn thấy bản thân mình bên cạnh chai whiskey. Pata thương đứng ở phía sau mọi người và Pata cùng với Hide đã chơi rất nhiều bản song tấu thật tuyệt vời. Vào thời kỳ đầu của X, Pata có một mái tóc "cao" 30 cm (vì luôn luôn dựng đứng) và đầy mầu sắc, luôn mặc những bộ quần áo bị xé rách. Sau này Pata thay đổi cách ăn mặc với quần ống rộng và áo phông, tóc của anh trở về với màu nâu tự nhiên cho đến tận bây giờ.
Hiện nay anh đang solo. Đầu tiên chơi nhạc với Tim Bogart như một tay bass và James Christian với tư cách là ca sĩ. Họ chỉ viết toàn ca khúc tiếng Anh. Sau 2 album với phong cách âm nhạc như vậy, anh sáng lập ra Pata''s P.A.F. Ban nhạc chỉ có anh (guitar), Nob (singer) và những nhạc sĩ khác nhau thường được mời chơi cùng nhóm. Có thông tin là anh ấy đã lấy vợ và có 1 con gai, sau đó ly dị. Tuy nhiên đó không phải là sự thực, tuy nhiên anh cũng có 2 người tình là Kotaro và Kotetsu. Năm 2001 anh cùng với Health, D.I.E. và JO:YA đã thành lậpban nhạc DOPE HEADZ. Năm 2002 sự ra đi JO:YA đã được thay thế bởi Shame. Họ đã ra được 2 album (Primitive Impulse và Planet of the dope) và 2 single (Glow và True lies)

X-Japan
Title: Unfinished
Album: Blue Blood
Oh! I''m looking at you
can''t control myself
nothing, but pain for me
* wipe your tears from your eyes
just leave and forget me
no need to be hurt anymore
# go away from me now
I don''t know what is love?
no need to be hurt anymore
you said, "I miss you so much
everynight thinking of you
and facing loneliness"
 But when you feel sadness
never can I stay with you
I''m not the one you need
close your eyes and forget me
there''s nothing I can do anymore
I lost my way
I''ve been walking in the night of tears
there I found someone was holding you
as the night was falling down
with my love also vanished my vision of you
my heart is cold now
* repeat
you said, "I need you always
everyday thinking of you
and living loneliness"
 repeat
# repeat
can''t find my way