Kế hoạch Offline - 14h ngày 31/12/2006 - trang 65

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СzФРzН~Цs~T 'ладими? 'ладими?ови? - ofзенинг?адской консе?ва,о?ии
1939 - ?икл из 12 ис,о?и?ески. кон?е?,ов в 'олO^ом зале oосковской консе?ва,о?ии
1942 - п?о"ессо? oосковской консе?ва,о?ии
1942 - заслfженнис,а си-мино?. Yfблика с?азf ?азделиласO на две половинис,а". zн иг?ал с?еди войнис,а, 'е,.овена, но на пе?вое мес,о с,ави, Ск?ябина. zн даже как-,о сказал: "Ск?ябин вне мfзенинг?аде. Т?fдно п?едс,ави,O себе сегодня, ?,о пе?ежили нес?ас,нZбовO и вос,о?женное о,но^ение к на^емf ?fководи,елZ обSединяли и ок?<ляли нас. У.одя с f?ока, м< ,олOко и дfмали: как б< поско?ее нас,fпило в?емя следfZ?его f?ока! С,fден,< д?fги. классов наз<вали нас в ^f,кf "со"?они?ками", но м< не обижалисO, в ?ем-,о э,о нам даже лOс,ило".
' дни Yобед<, ле,ом 1945 года, 'ладими? Со"?они?кий и ЭмилO "илелOс иг?аZ, в Yо,сдаме. ~ опя,O кон?е?,< и ?або,а в консе?ва,о?ии. ~ fдиви,елOная для мfз<кан,а его мас^,аба ск?омнос,O. Удиви,елOная, особенно с?еди ,?еславия и го?д<ни, ко,о?<е ,ак свойс,венн< лZдям искfсс,ва. sак-,о емf сказали, ?,о иг?а АлO"?еда sо?,о напоминае, его иг?f. zн воз?азил: "Э,о sо?,о напоминае, меня, а я - sо?,о". ~з живf?и. пианис,ов пе?вое мес,о о,давал 'алO,е?f "изенкингf. Y?и^ел в полн<й вос,о?г о, "лена "fлOда и даже ^f,я гово?ил: "У меня "fлOд ли?нос,и". Сам<м же великим пианис,ом XX века он с?и,ал Ра.манинова. z?енO ,епло о,несся к Zномf 'ан sлибе?нf, в ко,о?ого влZбиласO вся oосква, даже спе?иалOно п?ие.ал на вс,?е?f с ним в мfзей Ск?ябина. sогда в какой-,о беседе к,о-,о сказал, ?,о не понимае, ^fма, подня,ого вок?fг Ри.,е?а, с,?ого обо?вал; "Э,о в< нап?асно, ,ам ес,O ?ем вос,о?га,Oся". zн fмел fважа,O ,алан, д?fги., ?,о не ?ас,о вс,?е?ае,ся.
sогда Ри.,е? и Со"?они?кий вс,?е,илисO наконе?, б<ло ?е^ено в<пи,O на б?fде?^а",. Yосле э,ого, как извес,но, нfжно об?fга,O д?fг д?fга и пе?ей,и на ",<". zб?fгали. Со"?они?кий сказал Ри.,е?f: ""ений", а ,о, емf о,ве,ил: "'ог". sс,а,и, когда однажд< великомf "ен?и.f Нейгаfзf дали послf^а,O записO пOес< oо?а?,а в исполнении Со"?они?кого и Ри.,е?а и сп?осили, к,о лf?^е, .о,я ,?ак,овки б<ли сове?^енно ?азн<ми, Нейгаfз о,ве,ил заме?а,елOно: "zба - лf?^е".
Сам 'ладими? 'ладими?ови? пе?ед иг?ой Нейгаfза п?еклонялся. .?е в молодос,и после его кон?е?,а с?о?но послал ?одн<м ,елег?аммf: "'<л на кон?е?,е "а??и, с?ас,лив, ?,о живf в одно в?емя с ,аким гением".
Час,о болO^ой .fдожник каже,ся лZдям болO^им ?ебенком, ?еловеком со с,?аннос,ями. Ч,о ж, дf^а болO^ого .fдожника дейс,ви,елOно ск?оена несколOко ина?е, она необ<кновенно ?f,ка к ?fжим с,?аданиям, ее ни?его не с,ои, оско?би,O, заде,O, ?ани,O. zн ина?е ?fвс,вfе,, сли^ком силOно. sогда Со"?они?комf п?едложили пе?е?и,а,O книгf "иккенса ""омби и с<н", он о,казался: "Не,, не,, ,ам с,олOко нес?ас,Oя, ,ам ,акие садис,<, я не могf э,о ?и,а,O". ~ ,f, не б<ло ни намека на позf, на с,?емление к покоZ. Yо,омf ?,о он б<л fбежден: не, ни?его .fже для ?еловека искfсс,ва, ?ем с,?емление к fдобс,вам: "НелOзя ?fвс,вова,O себя ком"о?,но, как в мягком кfпе междfна?одного поезда". Сам он всегда ме,ался, сомневался. s немf ?еликом п?иложим< слова Yас,е?нака: "С кем п?о,екли его бо?енOя? С самим собой, с самим собой". zн не лZбил запис<ва,Oся, и б<л п?ав. Те.ника ,е. ле, б<ла далека о, возможнос,и ,о?но за"икси?ова,O его иг?f z каждой из свои. записей гово?ил: "Э,о все нfжно fни?,ожи,O, по,омf ?,о э,о мои ,?fп<". Не лZбил конкf?сов, не мог поня,O, как искfсс,во можно fподобля,O спо?,f.
(Còn tiếp)

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é' 1961 ééắéẹf éẹẹ éẳẹféãẹ<éééằẹOéẵéẹ éoéắẹééé ẹéắéẹ?éắééẵẹféằéẹẹO: ẹf éĂéắẹ"ẹ?éắéẵéáẹ?ééắééắ ẹ?éé. ézéẵ éẵéà ééắẹéằẹẹ ẹéẳéàẹ?ẹ,éá. éséắééé éẹ?éẹ?éá éẹ?éắééáẹééằéá éắééàéãééắéằéáééẹZẹ?éáéà éẵéẹ?ééắẹ,éáééá, éắéẵ ẹééẳ éáẹ. éắẹ,éẳéàéẵéáéằ: "ééà éắééẳééẵẹ<éééạẹ,éà éẳéàéẵẹ. é ééắéằéảéàéẵ éẹéà éẹ?éàẹ,éàẹ?ééàẹ,ẹO ééắ ééắéẵẹ?é". éYéắẹéằéàééẵéáéạ ééắéẵẹ?éàẹ?ẹ, éắéẵ éééằ 7 ẹéẵééẹ?ẹ 1961 ééắéé é éẳẹféãéàéà éĂéẹ?ẹééáéẵé. éĂẹ?éàééá éẹ?ẹfééáẹ. éẹOéàẹ éẹ<éằé éÂẹ?éééáẹ?éàẹééẹ ééắẹéẳé éĂéẹ?ẹééáéẵé, ééắẹ,éắẹ?éẹ éắéééãééằéẹẹO éàééắ ééàéééáéàéẳéắéẳ.
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é~ẹẹ,éắẹ?éẵéáé éáéẵẹ"éắẹ?éẳéẹ?éáéá: ézéằéàé éĐé.ééé~ésézé', "éYéàẹ?ẹéắéẵé" No.3, 2000.

Ôi bác ơi, em còn đang định nhờ bác dịch hộ mấy thứ đây mà bác đã đẩy cho em rồi, bây giờ em lại đang có ekzamen nữa. Thôi bác đã nhờ thì em nhận vậy, dù sao em cũng muốn tìm hiểu thêm vì cũng chưa biết pianist này bao giờ, Hình như chiều này lên cửa hàng Souyz ở TSUM có thấy đĩa này thì phải, hôm nào lên xem lại có đúng không mua ngay kẻo thằng khác giành mất. Dân tình ở đây cũng kinh lắm, em lăm le mấy cái đĩa từ lâu rồi nhưng chưa có tiền mua, đến khi có tiền ra đấy thì đứa khác đã cuỗm mất rồi, đau thật.
Ở chỗ em có 2 đĩa này: http://www.amazon.com/exec/obidos/tg/detail/-/B0002IPX8E/qid=1117467577/sr=1-8/ref=sr_1_8/102-5362827-3256957?v=glance&s=classical
http://www.amazon.com/exec/obidos/tg/detail/-/B0002GX7X4/qid=1117467577/sr=1-9/ref=sr_1_9/102-5362827-3256957?v=glance&s=classical
không biết cobeo có thích không?
Được Apomethe sửa chữa / chuyển vào 22:45 ngày 30/05/2005

Ôi bác ơi, em còn đang định nhờ bác dịch hộ mấy thứ đây mà bác đã đẩy cho em rồi, bây giờ em lại đang có ekzamen nữa. Thôi bác đã nhờ thì em nhận vậy, dù sao em cũng muốn tìm hiểu thêm vì cũng chưa biết pianist này bao giờ, Hình như chiều này lên cửa hàng Souyz ở TSUM có thấy đĩa này thì phải, hôm nào lên xem lại có đúng không mua ngay kẻo thằng khác giành mất. Dân tình ở đây cũng kinh lắm, em lăm le mấy cái đĩa từ lâu rồi nhưng chưa có tiền mua, đến khi có tiền ra đấy thì đứa khác đã cuỗm mất rồi, đau thật.
Ở chỗ em có 2 đĩa này: http://www.amazon.com/exec/obidos/tg/detail/-/B0002IPX8E/qid=1117467577/sr=1-8/ref=sr_1_8/102-5362827-3256957?v=glance&s=classical
http://www.amazon.com/exec/obidos/tg/detail/-/B0002GX7X4/qid=1117467577/sr=1-9/ref=sr_1_9/102-5362827-3256957?v=glance&s=classical
không biết cobeo có thích không?
Được Apomethe sửa chữa / chuyển vào 22:45 ngày 30/05/2005

Úi dzời ơi, toàn là mật mã
Đĩa gì mà quý báu vậy Apo, nói đi chị kiếm thử coi. Tuần sau bắt đầu sưu tập đĩa thử xem sao Kiếm được chị post lên đây cho mà nghe, khỏi phải đi rình.
Mà cái bản mật mã dài thoòng Baolink post lên nói về cái gì vậy? Dịch xong nhớ post lên đây cho mọi người đọc nha

Úi dzời ơi, toàn là mật mã
Đĩa gì mà quý báu vậy Apo, nói đi chị kiếm thử coi. Tuần sau bắt đầu sưu tập đĩa thử xem sao Kiếm được chị post lên đây cho mà nghe, khỏi phải đi rình.
Mà cái bản mật mã dài thoòng Baolink post lên nói về cái gì vậy? Dịch xong nhớ post lên đây cho mọi người đọc nha

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Được goimuathubaydi sửa chữa / chuyển vào 06:10 ngày 31/05/2005

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Được goimuathubaydi sửa chữa / chuyển vào 06:10 ngày 31/05/2005

Dịch bài của bác Bảo sang tiếng Anh.
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SOFRONITSKIY Vladimir Vladimirovich - The musician Was borne in 1901 in Petersburg 1919 - first solo concert 1921 - the diploma of Petrograd conservatory 1928 - the first foreign tours in Warsaw and Paris 1936 - the professor of Leningrad conservatory 1939 - cycle of 12 historical concerts in the large hall of Moscow conservatory 1942 - the professor of Moscow conservatory 1942 - the deserved worker of the skills OF RSFSR 1943 - the laureate of the State Prize BY USSR 1945 - participation in the concert of the best musicians of peace at the conference in Potsdam he died in 1961 On 13 May, 1921, in the small hall of Petrograd conservatory its two graduates played diploma program both - sonata of sheet SI- minor. Public immediately was divided into two halves: one was ill after to Mary Yudin, the second - for Vladimir sofronitskiy. But time was more than difficult for the classical skill. Bloody and superhuman severe Civil War still went on. Around the city patrolled the armed workers the sailors, is already shot Nikolai gumilev, who opened the list of the "enemies of people" among the creative intelligentsia. Rakhmaninoff forever left Russia, Bunin concluded the manuscript of tragic "damned days". Through half a year will leave Shalyapin... But the most striking - the hall of conservatory was overfilled. Listeners knew - they play two salient talents, for which one must glorify Russia. Sofronitskiy played by the latter. As wrote one of the eyewitnesses of the concert: "leaves pale high youth, modestly he bows, sit down themselves for the piano and several minutes remain fixed, with the omitted head. The beautiful stroke of hands, and it begins the sonata of sheet ". It played among the war, the ruin, the hunger, the desperation, the fear, the crazy plans of the complete alteration of peace and man... Next day appears journalist Strelnikov''s article, named in the spirit of that time - "production success": "the last release of our conservatory advanced to the stage two indisputably salient artistic units - to Mary Yudin and Vladimir sofronitskiy. Sofronitskiy does not love cold agitation, impassive treasures of the past... " Sofronitskiy very early revealed the musical gift of enormous scale. And even the first word, pronounced by it at the infantile age, was not any, but - "loyal''". A little later it began to improvise - on the assigned themes or in the manner of one or other composer or another. Its family at this time lives in Warsaw, they begin to teach Volodya music, and soon his teacher solves to show her pupil famous professor mikhaylovskiy professor for long it rejected, he indicated that it is not occupied with the small, but when it it heard the game of Volodyas, it exclaimed: however, "but 4 it did not assume, what here gift! This student 4 I cannot but take ". Pianist Joseph turchinskiy well-known in those years comes into the enthusiasm from its game and leaves in his album the following record: "to the most talented and dear comrade on the skill to Volodya sofronitskiy with the iskrenneyshim and most cordial wish to restrain as it is long as possible from the concert activity, and to work wisely in order to strengthen its forces and spirit for the great tasks of skill". After Warsaw it learns in the Petrograd conservatory. In the same year, when died not necessary to new authority block, Sofronitskiy gives its first concert in Moscow in the small hall of conservatory. In the following year the first concert of young pianist in the large hall of Petrograd conservatory took place. The theatrical appearances in Moscow, Petrograd, Odessa, Saratov begin. But in 1928 it leaves almost for two years abroad. During the tours Of sofronitskogo in Paris there was situated the great Russian composer Of glazunov, who thus responded to his game: "4 very well sign- with Vladimir sofronitsky. This is one of the most remarkable young Russian pianists. Its game is characterized by the artistic maturity, perfected by technology, by sincerity, by expression and by sonorousness. 4 I do not fear to assert that before it is opened the large artistic future ". During January 1930 Sofronitskiy returns. And again concerts, concerts, concerts... Its talent is so great, that by anyone it cannot be disputed or they will subject to doubt. "here excellent, bright, young, original pianist, capable of imperiously taking listener. Its sphere, its element - musical micro-cosmos Of skryabina ". Yes, by this time already finally appeared the predilections Of sofronitskogo. It much plays Schubert, Schumann, Chopin, Lista, Beethoven, but in the first place is placed Skryabina. He even somehow said: "skryabin out of the music". The oldest daughter of Helen Aleksandrovna''s Skryabina becomes his wife. Sofronitskiy itself never heard the game Of skryabina, but those, who heard their both, they asserted that its game amazingly resembled the game Of skryabina. There was here the miracle, which is permitted perhaps that to geniuses. Its repertoire was truly limitless. It testified not only about the unusual talent, but also actually infinite diligence. Once Sofronitskogo they asked: "if you are planted for the piano, without being interrupted, after how long you would play entire your repertoire?" It thought and answered: "two weeks, this is accurate". About the fact that it experienced, when it played, it is possible to judge by how he spoke about the performance of the eighth prelude of Chopin: "I greatly love it. As if the glad, fragrant respiration of life unexpectedly is dug in and whips entire soul ". Having once played Schubert''s impromptu, it asked its son of Aleksandr: - what associations does cause in you this music? - well, these are some philosophical me***ations. - no, here the element of experience, here pereklikayutsya the voices of the distant, obscure, but expensive recollections. Generally Schubert - the best and most terrestrial composer. But about the second part of the sonata he spoke so "it will now be the highest music on the Earth. Only I fear, it will reach the public, indeed it so rarely they play ". But there was then war. It met it in Leningrad. It is difficult to visualize today that the unhappy victims of Leningrad blockade survived. Sofronitskiy together with other residents of Leningrad carried out, survived everything which by them was tempered by severe fate. Among cold, hunger, shellings and bombings, among the second-by-second presence of death Sofronitskiy plays for the soldiers, who exit to the front. Spectators - in the quilted jackets, the padded jackets, the overcoats. In the hall frost as on the street, evidently icy respiration, and it plays in the gloves with the cut tips... During March of the 42nd year its father dies, Sofronitskiy could not him bury in the course of the month - he simply not had forces. During its April, of half-dead, they export into Moscow... And after only several days it plays! Solo concert in Tschaikovsky''s hall. It not only plays. Soon it begins to teach in the Moscow conservatory. Students are falld in love with their professor. This is how its student of Olga Zhukov remembers the time: "Vladimir Vladimirovich''s Appearance Was characterized By Special Spirituality, Refinement, High Intellectuality. Beautiful appearance, ordered figure, sharpened, accurately carven from the marble and is at the same time extraordinarily living expressive hands, all it harmonized with its internal beauty, sincere wealth. The warm situation, which reigned in our class, contributed so that we all were friendly between themselves, in the conservatory they were constantly held by small flock and interests in all were general. Love and enthusiastic relation to our leader they united and inspired us. Departing from the lesson, we only and thought: as the time of the following lesson faster came! The students of other classes called us into the joke "sofronichkami", but we were not offended, in by something this to us even flattered ". In the days of victory, in the summer of 1945, Vladimir sofronitskiy and Emil gilel''s play in Potsdam. And again concerts and work in the conservatory. And surprising for the musician of his scale modesty. Surprising, especially among the vanity and the pride, which are so characteristic of people of skill. They somehow to it said that Alfred korto''s game resembles his game. It objected: "this Kort reminds of me, and 4 - Kort". From the living pianists the first place returned Walter gizenking. It arrived into the complete enthusiasm from Glenn of Gould and even joking he said: "in me Gould personality". However, it considered Rakhmaninoff the very great pianist OF THE XX century. Very heat- related to young van klibern, with whom fell in love itself entire Moscow, even specially it arrived to the encounter with it into the museum Of skryabina. When into some someone said to conversation that he does not understand noise, raised around Richter, strictly it broke; "this you in vain, there be how to be enraptured". It knew how to respect the talent of others, which frequently is not encountered. When Richter and Sofronitskiy were encountered finally, it was decided to drink to brudershaft. After this, as is known, necessary to call names each other and to pass on "you". They called names. Sofronitskiy said to Richter: "genius", and that it answered: "god". By the way, when to once great Heinrich neygauz they gave to listen to the record of Mozart''s play in execution Of sofronitskogo and Richter and asked, who is better, although the treatments were completely different, Neygauz answered noticeably: "both - are better". Itself Vladimir Vladimirovich before the game Of neygauza worshipped. Even in the youth after his concert it urgently sent the telegram to native: "it was on the concert of Garry, it was happy, that I live in at one time with this genius". Frequently the large artist seems people by large child, by man with the strangenesses. What zh, the soul of large artist is actually cut somewhat otherwise, she is unusually sensitive to the strange sufferings, her nothing he is worthwhile to insult, to catch, to wound. He otherwise feels, too strongly. When To sofronitskomu they proposed to re-read Dickens''s book "dombi and son", it refused: "no, no, there so much misfortune, there such sadists, 4 I cannot this read". And here not there it was not hint to the pose, to the tendency toward the rest. Because it was convinced: there is nothing worse for the man of skill than tendency toward the conveniences: "it is not possible to feel itself comfortably as in the soft sleeping compartment of international train". Itself it always rushed about, it doubted. Pasternak''s words are wholly added to it: "with whom they did elapse his boren''ya? With itself itself, with itself itself ". It did not love to be written, and it was rights. Those years technique was distant from the possibility to accurately fix its game about each of its records he said: "this all must be destroyed, because these are my corpses". It did not love competitions, it could not understand, as skill it is possible to liken to sport.