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Dịch bài của bác Bảo sang tiếng Anh.
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SOFRONITSKIY Vladimir Vladimirovich - The musician Was borne in 1901 in Petersburg 1919 - first solo concert 1921 - the diploma of Petrograd conservatory 1928 - the first foreign tours in Warsaw and Paris 1936 - the professor of Leningrad conservatory 1939 - cycle of 12 historical concerts in the large hall of Moscow conservatory 1942 - the professor of Moscow conservatory 1942 - the deserved worker of the skills OF RSFSR 1943 - the laureate of the State Prize BY USSR 1945 - participation in the concert of the best musicians of peace at the conference in Potsdam he died in 1961 On 13 May, 1921, in the small hall of Petrograd conservatory its two graduates played diploma program both - sonata of sheet SI- minor. Public immediately was divided into two halves: one was ill after to Mary Yudin, the second - for Vladimir sofronitskiy. But time was more than difficult for the classical skill. Bloody and superhuman severe Civil War still went on. Around the city patrolled the armed workers the sailors, is already shot Nikolai gumilev, who opened the list of the "enemies of people" among the creative intelligentsia. Rakhmaninoff forever left Russia, Bunin concluded the manuscript of tragic "damned days". Through half a year will leave Shalyapin... But the most striking - the hall of conservatory was overfilled. Listeners knew - they play two salient talents, for which one must glorify Russia. Sofronitskiy played by the latter. As wrote one of the eyewitnesses of the concert: "leaves pale high youth, modestly he bows, sit down themselves for the piano and several minutes remain fixed, with the omitted head. The beautiful stroke of hands, and it begins the sonata of sheet ". It played among the war, the ruin, the hunger, the desperation, the fear, the crazy plans of the complete alteration of peace and man... Next day appears journalist Strelnikov''s article, named in the spirit of that time - "production success": "the last release of our conservatory advanced to the stage two indisputably salient artistic units - to Mary Yudin and Vladimir sofronitskiy. Sofronitskiy does not love cold agitation, impassive treasures of the past... " Sofronitskiy very early revealed the musical gift of enormous scale. And even the first word, pronounced by it at the infantile age, was not any, but - "loyal''". A little later it began to improvise - on the assigned themes or in the manner of one or other composer or another. Its family at this time lives in Warsaw, they begin to teach Volodya music, and soon his teacher solves to show her pupil famous professor mikhaylovskiy professor for long it rejected, he indicated that it is not occupied with the small, but when it it heard the game of Volodyas, it exclaimed: however, "but 4 it did not assume, what here gift! This student 4 I cannot but take ". Pianist Joseph turchinskiy well-known in those years comes into the enthusiasm from its game and leaves in his album the following record: "to the most talented and dear comrade on the skill to Volodya sofronitskiy with the iskrenneyshim and most cordial wish to restrain as it is long as possible from the concert activity, and to work wisely in order to strengthen its forces and spirit for the great tasks of skill". After Warsaw it learns in the Petrograd conservatory. In the same year, when died not necessary to new authority block, Sofronitskiy gives its first concert in Moscow in the small hall of conservatory. In the following year the first concert of young pianist in the large hall of Petrograd conservatory took place. The theatrical appearances in Moscow, Petrograd, Odessa, Saratov begin. But in 1928 it leaves almost for two years abroad. During the tours Of sofronitskogo in Paris there was situated the great Russian composer Of glazunov, who thus responded to his game: "4 very well sign- with Vladimir sofronitsky. This is one of the most remarkable young Russian pianists. Its game is characterized by the artistic maturity, perfected by technology, by sincerity, by expression and by sonorousness. 4 I do not fear to assert that before it is opened the large artistic future ". During January 1930 Sofronitskiy returns. And again concerts, concerts, concerts... Its talent is so great, that by anyone it cannot be disputed or they will subject to doubt. "here excellent, bright, young, original pianist, capable of imperiously taking listener. Its sphere, its element - musical micro-cosmos Of skryabina ". Yes, by this time already finally appeared the predilections Of sofronitskogo. It much plays Schubert, Schumann, Chopin, Lista, Beethoven, but in the first place is placed Skryabina. He even somehow said: "skryabin out of the music". The oldest daughter of Helen Aleksandrovna''s Skryabina becomes his wife. Sofronitskiy itself never heard the game Of skryabina, but those, who heard their both, they asserted that its game amazingly resembled the game Of skryabina. There was here the miracle, which is permitted perhaps that to geniuses. Its repertoire was truly limitless. It testified not only about the unusual talent, but also actually infinite diligence. Once Sofronitskogo they asked: "if you are planted for the piano, without being interrupted, after how long you would play entire your repertoire?" It thought and answered: "two weeks, this is accurate". About the fact that it experienced, when it played, it is possible to judge by how he spoke about the performance of the eighth prelude of Chopin: "I greatly love it. As if the glad, fragrant respiration of life unexpectedly is dug in and whips entire soul ". Having once played Schubert''s impromptu, it asked its son of Aleksandr: - what associations does cause in you this music? - well, these are some philosophical me***ations. - no, here the element of experience, here pereklikayutsya the voices of the distant, obscure, but expensive recollections. Generally Schubert - the best and most terrestrial composer. But about the second part of the sonata he spoke so "it will now be the highest music on the Earth. Only I fear, it will reach the public, indeed it so rarely they play ". But there was then war. It met it in Leningrad. It is difficult to visualize today that the unhappy victims of Leningrad blockade survived. Sofronitskiy together with other residents of Leningrad carried out, survived everything which by them was tempered by severe fate. Among cold, hunger, shellings and bombings, among the second-by-second presence of death Sofronitskiy plays for the soldiers, who exit to the front. Spectators - in the quilted jackets, the padded jackets, the overcoats. In the hall frost as on the street, evidently icy respiration, and it plays in the gloves with the cut tips... During March of the 42nd year its father dies, Sofronitskiy could not him bury in the course of the month - he simply not had forces. During its April, of half-dead, they export into Moscow... And after only several days it plays! Solo concert in Tschaikovsky''s hall. It not only plays. Soon it begins to teach in the Moscow conservatory. Students are falld in love with their professor. This is how its student of Olga Zhukov remembers the time: "Vladimir Vladimirovich''s Appearance Was characterized By Special Spirituality, Refinement, High Intellectuality. Beautiful appearance, ordered figure, sharpened, accurately carven from the marble and is at the same time extraordinarily living expressive hands, all it harmonized with its internal beauty, sincere wealth. The warm situation, which reigned in our class, contributed so that we all were friendly between themselves, in the conservatory they were constantly held by small flock and interests in all were general. Love and enthusiastic relation to our leader they united and inspired us. Departing from the lesson, we only and thought: as the time of the following lesson faster came! The students of other classes called us into the joke "sofronichkami", but we were not offended, in by something this to us even flattered ". In the days of victory, in the summer of 1945, Vladimir sofronitskiy and Emil gilel''s play in Potsdam. And again concerts and work in the conservatory. And surprising for the musician of his scale modesty. Surprising, especially among the vanity and the pride, which are so characteristic of people of skill. They somehow to it said that Alfred korto''s game resembles his game. It objected: "this Kort reminds of me, and 4 - Kort". From the living pianists the first place returned Walter gizenking. It arrived into the complete enthusiasm from Glenn of Gould and even joking he said: "in me Gould personality". However, it considered Rakhmaninoff the very great pianist OF THE XX century. Very heat- related to young van klibern, with whom fell in love itself entire Moscow, even specially it arrived to the encounter with it into the museum Of skryabina. When into some someone said to conversation that he does not understand noise, raised around Richter, strictly it broke; "this you in vain, there be how to be enraptured". It knew how to respect the talent of others, which frequently is not encountered. When Richter and Sofronitskiy were encountered finally, it was decided to drink to brudershaft. After this, as is known, necessary to call names each other and to pass on "you". They called names. Sofronitskiy said to Richter: "genius", and that it answered: "god". By the way, when to once great Heinrich neygauz they gave to listen to the record of Mozart''s play in execution Of sofronitskogo and Richter and asked, who is better, although the treatments were completely different, Neygauz answered noticeably: "both - are better". Itself Vladimir Vladimirovich before the game Of neygauza worshipped. Even in the youth after his concert it urgently sent the telegram to native: "it was on the concert of Garry, it was happy, that I live in at one time with this genius". Frequently the large artist seems people by large child, by man with the strangenesses. What zh, the soul of large artist is actually cut somewhat otherwise, she is unusually sensitive to the strange sufferings, her nothing he is worthwhile to insult, to catch, to wound. He otherwise feels, too strongly. When To sofronitskomu they proposed to re-read Dickens''s book "dombi and son", it refused: "no, no, there so much misfortune, there such sadists, 4 I cannot this read". And here not there it was not hint to the pose, to the tendency toward the rest. Because it was convinced: there is nothing worse for the man of skill than tendency toward the conveniences: "it is not possible to feel itself comfortably as in the soft sleeping compartment of international train". Itself it always rushed about, it doubted. Pasternak''s words are wholly added to it: "with whom they did elapse his boren''ya? With itself itself, with itself itself ". It did not love to be written, and it was rights. Those years technique was distant from the possibility to accurately fix its game about each of its records he said: "this all must be destroyed, because these are my corpses". It did not love competitions, it could not understand, as skill it is possible to liken to sport.

He frequently indicated that it did not read not one intelligent review of its game moreover it suffered not only if was not understood its creation. Once on the radio it heard to the premier of the symphony Shostakovic, it arrived into the enthusiasm, it awaited responses, reviews, but without having waited for, he said with the bitterness: "the here greatest composer of the present wrote symphony, indeed this entire event in the musical life! But there is no response, not united word in the press. And at the same time how many reviews of the negligible works! Criticisms await, what indications will be more than ". Itself it was improbably laconic and precise in the estimations of others. "sheet - this Europe, Anton Rubenstein - entire peace, Rakhmaninoff - this is the universe". On Van kliberne: "this is personality. Secret of its success not only in the brilliant musical endowment, but also in the attractive force of personality. Public oshchushchayet this and it gravitates towards to it ". On the record by Rakhmaninoff of Schumann''s "carnival": "there each note - masterpiece". In any great pianist its special, unique sound to each real musician piano answers special, unique sound. But if simply they were enraptured by many pianists, then the game Of sofronitskogo caused the bewilderment: how it can extract such sounds, as it does force piano so to obey itself and so to sound? But and where to find words in order to describe, as precisely does sound piano? It was possible only to be enraptured. Stanislav neygauz spoke: "after several days to the concert Of sofronitskogo into me settled happiness, I counted the days, which were remained to its concert". It they loved everything. Eyes, entire appearance Of sofronitskogo emitted kindness. Somehow it asked the son: "A you also do think, the necessary for the man quality - kindness?" In the hands he held newspaper with the large title: "kindness. It is necessary?". I, without waiting until answer, sharply it threw: "me simply it warps from the very fact of the appearance of an article with this title! Really someone needs the proof of the need for kindness?". It did not transfer cruelty, haughtiness, swaggering, sincere staleness. Simply it suffered from them. Even into the minutes of merriment from its face did not descend tragic fold. It could not quietly listen to stories about the war - thus it survived. Vladimir Vladimirovich into some his manifestations was large child. But Dostoyevsky was its dear writer. He idolized Pushkin, serdilsya, when Lermontova placed above. Greatly it valued Pasternak and adored block, knew it by heart almost in all. One of the most expensive recollections: in Warsaw young Volodya the piano, beautiful man leaves from the adjacent room and begin to propose to him the themes of improvisations - "shower", "blizzard", "sun"... And Volodya here, on its eyes, improvises. More lately it was explained - this was block. More frequent than others Sofronitskiy repeated the shrill lines: And let I will die under the fence as dog, assume that the life me into the earth trampled. I believe: first god me by snow carried, then blizzard kissed me. Sofronitskiy was as happy prince from Oscar Wild''s fairy tale. That prince- sculpture allowed swallow on the turn to peck out its ruby, its eye- sapphires, all gold plates of its body in order to give to poor. Once pianist saw the yelling cat of boy they explained in the court of house that the neighbors to themselves brought new, and this they rejected. He quietly said: "thus me..." It did not agree, it did not express itself to the end - it took away with itself the secret of its constant grief and melancholy. Nature awarded pianist generously by all: by enormous talent, by good heart, by beautiful soul and by remarkable appearance. Not there was not only health, blown up still by the tests of Leningrad blockade. The heart attacks, because of which it frequently abolished concerts, tortured, and it is now and then forced it was to depart from the scene, without having played. In 1961 entire musical Moscow shuddered: in Sofronitskogo cancer. It did not fear death. When doctors prescribed the anaesthetizing narcotics, it itself them abolished: "do not deceive me. I must everything undergo to the end ". Last concert it gave on 7 January, 1961, in the museum Of skryabina. Among other plays there was the tragic poem Of skryabina, which proved to be its requiem. Its body rests upon The the novodevich''em, there, where Richter, Oborin, Neygauz, Prokofiev and Shostakovic, and soul - in to paradise. Information source: Oleg Chernikov, "persona" No.3, 2000.
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Dịch bằng phần mềm nên vài chỗ có hơi lủng củng.Nhưng chắc cũng đủ để hiểu nội dung bài viết

He frequently indicated that it did not read not one intelligent review of its game moreover it suffered not only if was not understood its creation. Once on the radio it heard to the premier of the symphony Shostakovic, it arrived into the enthusiasm, it awaited responses, reviews, but without having waited for, he said with the bitterness: "the here greatest composer of the present wrote symphony, indeed this entire event in the musical life! But there is no response, not united word in the press. And at the same time how many reviews of the negligible works! Criticisms await, what indications will be more than ". Itself it was improbably laconic and precise in the estimations of others. "sheet - this Europe, Anton Rubenstein - entire peace, Rakhmaninoff - this is the universe". On Van kliberne: "this is personality. Secret of its success not only in the brilliant musical endowment, but also in the attractive force of personality. Public oshchushchayet this and it gravitates towards to it ". On the record by Rakhmaninoff of Schumann''s "carnival": "there each note - masterpiece". In any great pianist its special, unique sound to each real musician piano answers special, unique sound. But if simply they were enraptured by many pianists, then the game Of sofronitskogo caused the bewilderment: how it can extract such sounds, as it does force piano so to obey itself and so to sound? But and where to find words in order to describe, as precisely does sound piano? It was possible only to be enraptured. Stanislav neygauz spoke: "after several days to the concert Of sofronitskogo into me settled happiness, I counted the days, which were remained to its concert". It they loved everything. Eyes, entire appearance Of sofronitskogo emitted kindness. Somehow it asked the son: "A you also do think, the necessary for the man quality - kindness?" In the hands he held newspaper with the large title: "kindness. It is necessary?". I, without waiting until answer, sharply it threw: "me simply it warps from the very fact of the appearance of an article with this title! Really someone needs the proof of the need for kindness?". It did not transfer cruelty, haughtiness, swaggering, sincere staleness. Simply it suffered from them. Even into the minutes of merriment from its face did not descend tragic fold. It could not quietly listen to stories about the war - thus it survived. Vladimir Vladimirovich into some his manifestations was large child. But Dostoyevsky was its dear writer. He idolized Pushkin, serdilsya, when Lermontova placed above. Greatly it valued Pasternak and adored block, knew it by heart almost in all. One of the most expensive recollections: in Warsaw young Volodya the piano, beautiful man leaves from the adjacent room and begin to propose to him the themes of improvisations - "shower", "blizzard", "sun"... And Volodya here, on its eyes, improvises. More lately it was explained - this was block. More frequent than others Sofronitskiy repeated the shrill lines: And let I will die under the fence as dog, assume that the life me into the earth trampled. I believe: first god me by snow carried, then blizzard kissed me. Sofronitskiy was as happy prince from Oscar Wild''s fairy tale. That prince- sculpture allowed swallow on the turn to peck out its ruby, its eye- sapphires, all gold plates of its body in order to give to poor. Once pianist saw the yelling cat of boy they explained in the court of house that the neighbors to themselves brought new, and this they rejected. He quietly said: "thus me..." It did not agree, it did not express itself to the end - it took away with itself the secret of its constant grief and melancholy. Nature awarded pianist generously by all: by enormous talent, by good heart, by beautiful soul and by remarkable appearance. Not there was not only health, blown up still by the tests of Leningrad blockade. The heart attacks, because of which it frequently abolished concerts, tortured, and it is now and then forced it was to depart from the scene, without having played. In 1961 entire musical Moscow shuddered: in Sofronitskogo cancer. It did not fear death. When doctors prescribed the anaesthetizing narcotics, it itself them abolished: "do not deceive me. I must everything undergo to the end ". Last concert it gave on 7 January, 1961, in the museum Of skryabina. Among other plays there was the tragic poem Of skryabina, which proved to be its requiem. Its body rests upon The the novodevich''em, there, where Richter, Oborin, Neygauz, Prokofiev and Shostakovic, and soul - in to paradise. Information source: Oleg Chernikov, "persona" No.3, 2000.
-------------------------
Dịch bằng phần mềm nên vài chỗ có hơi lủng củng.Nhưng chắc cũng đủ để hiểu nội dung bài viết

Có 2, 3 phần mềm chuyên dịch văn bản từ Nga sang Anh mà chả có cái nào ra hồn cả, để cuối tuần mình dịch lại sang tiếng Việt để mọi người cùng hiểu cả.
Sáng mai cobeo download đĩa Sofronitsky chơi Scryabin nhé

Có 2, 3 phần mềm chuyên dịch văn bản từ Nga sang Anh mà chả có cái nào ra hồn cả, để cuối tuần mình dịch lại sang tiếng Việt để mọi người cùng hiểu cả.
Sáng mai cobeo download đĩa Sofronitsky chơi Scryabin nhé

Hôm nay vư?a di nghe chương tri?nh đó vê?, nói chung la? khá dêf nghe, hợp với số đông nhiê?u ngươ? nghe, gô?m các ba?i kinh điê?n như Serenade, Danube, Swan... tuy vậy chương tri?nh cufng không gây được tho?a maf cho ngươ?i xem, nếu so với buô?i ho?a nhạc henessy thì thật không bằng, tuy vậy Ford cũng đã cố gắng đem lại một luồng gió mới cho công chúng yêu nhạc cổ điển, đêm nay dù sao cũng là một đêm đáng nghe,hi vọng lần sau chương trình chất lượng hơn, vì em có cảm giác cô thăng long hát opera quá đuối, múa phụ hoạ thì lập cập dở hơi, có mỗi piano là điểm sáng của chương trình, được trình tấu bởi nghệ sĩ người Nga
Được themack sửa chữa / chuyển vào 22:45 ngày 31/05/2005

Hôm nay vư?a di nghe chương tri?nh đó vê?, nói chung la? khá dêf nghe, hợp với số đông nhiê?u ngươ? nghe, gô?m các ba?i kinh điê?n như Serenade, Danube, Swan... tuy vậy chương tri?nh cufng không gây được tho?a maf cho ngươ?i xem, nếu so với buô?i ho?a nhạc henessy thì thật không bằng, tuy vậy Ford cũng đã cố gắng đem lại một luồng gió mới cho công chúng yêu nhạc cổ điển, đêm nay dù sao cũng là một đêm đáng nghe,hi vọng lần sau chương trình chất lượng hơn, vì em có cảm giác cô thăng long hát opera quá đuối, múa phụ hoạ thì lập cập dở hơi, có mỗi piano là điểm sáng của chương trình, được trình tấu bởi nghệ sĩ người Nga
Được themack sửa chữa / chuyển vào 22:45 ngày 31/05/2005

Trước khi đi cũng đã biết trước mấy dàn nhạc thính phòng VN dở lắm nhưng ai dè lại dở tệ như vậy.Trần đời ai oán chưa thấy nhóm tứ tấu đàn dây nào chỉ chơi Demo mỗi chương 1 cả.Ngay khi đọc cái tờ giới thiệu chương trình đã thấy chán rồi tên tuổi ghi sai loạn hết cả nên....
Xem xong phần 1 thì Box NCĐ không đủ can đảm ngồi xem tiếp phần 2 nữa nên lại có 1 buổi Offline nho nhỏ ở đầu đường Hai Bà Trưng

Trước khi đi cũng đã biết trước mấy dàn nhạc thính phòng VN dở lắm nhưng ai dè lại dở tệ như vậy.Trần đời ai oán chưa thấy nhóm tứ tấu đàn dây nào chỉ chơi Demo mỗi chương 1 cả.Ngay khi đọc cái tờ giới thiệu chương trình đã thấy chán rồi tên tuổi ghi sai loạn hết cả nên....
Xem xong phần 1 thì Box NCĐ không đủ can đảm ngồi xem tiếp phần 2 nữa nên lại có 1 buổi Offline nho nhỏ ở đầu đường Hai Bà Trưng

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